Link: Les
Rendez-Vous des Postiers
Direct link to 3D and Stereography page
Read about the ANIMOKO Motion Control Rig for Animated Movies
News (30/07/2010):
IBC international expo and conference: 10 - 14 september 2010 AMSTERDAM RAI Center
---> See the ANIMOKO on stand 11.G21 of Mark Roberts Motion Control
---> Meet Kommer at one of the 4 3D workshops at IBC production village on saturday and sunday, or in one of the two conference sessions on the IBC main conference on monday and tuesday.
News (30/08/2010):
Aardman feature animations have ordered an ANIMOKO for use on their present feature shoot.
Learn more anbout Kommer in this article (in English) recently published by the NSC (Netherlands
Society of Cinematographers). Dutch Language version also available.
Kommer Kleijn SBC is both a Director of Photography and a Stereographer. As a DOP he is specialised in visual effects and special formats. He is also active in image technology research and consults for equipment manufacturers. He has worked on visual effects for commercials and special venue and large format movies and also has photographed many of those. Among them are numerous stereoscopic productions, one IMAX 3D. He started practising stereography professionally from 1998 onwards and as a stereographer he has been involved with many kinds of productions including movies and multi camera live captures for sports and music. Due to the recent high demand for 3D, stereography has now become his main activity, with 2D shoots becoming more rare.
Recent work includes supervising the stereography for the live transmission of the European Champions League soccer final in Madrid and capturing the first MTV 3D concert in Turin Italy this summer 2010. Kommer is also teaching in 3 film schools, works as an instructor in professional workshops, is an SBC and EDCF board member and chairs the SMPTE 21DC Additional Frame Rates Ad Hoc group.
He is a regular speaker on international image technology conferences and was recently awarded the "Bert Easey Technical Achievement Award" by the BSC for his determination in the process of standardisation of the 60 fps frame rate for Digital Cinema projection.
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